I met with Larry on the eve of the ASI/ISC 2016 Indexing Conference in Chicago, just before the conference’s official reception. Just like in his novels, my walk to our meeting place was blustery and foreboding, but the welcome I received from him and his lovely wife, Rose (whom I recognized instantly from one of her accessories as a fellow cat-lover), could not have been more reassuring. After warning him that I was not attempting to stalk him (since I was also writing a review of his second book for EAC’s Toronto Branch blog, BoldFace, and summarizing his keynote speech the next day for the ISC’s upcoming edition ofThe Bulletin newsletter), we sat down to talk business: that of writing and indexing and how the two connect.
In the first book of the series, See Also Murder, there had been mention of a magpie, so I started by asking him if that had been a total coincidence: indeed, it was only by fluke that he had used a species that is the mascot of theIndexing Society of Canada, since he lives in Indiana and didn’t know our connection to the aviary collector.
I also was interested in his attention to detail about the prairies. My mum was a Saskatchewan emigrant, and many of his references seemed straight out of her life: hating the wind, a Mountie hat (my grandfather was in the RCMP), and people who keep their problems to themselves (I’m definitely stiff upper lip as a result of her influence). He did live in North Dakota (the series setting) for a time, so the environs had permeated him. A strong sense of place is pervasive in his writing and features in his other historical, western and thriller novels and short stories.
One of the most interesting aspects of Larry’s writing is his ability to create a credible female protagonist voice. I mentioned having heard a radio interview of Clive Greave (author of Everyone Brave is Forgiven) in which he was praised for his successful treatment of the same choice. It is remarkable to do this so convincingly and in an ongoing way (i.e. a series, not just a one-off book). The details Larry captures were striking: for example, in See Also Deception, he mentions the wind coming up and the women all grabbing at their skirts automatically. So real! The purse contents, menthol cigarettes, McCall’s-pattern dresses—it all works. While Larry did have strong women in his life as a youngster, he also credits good communication with his wife as another source of empathy for things he couldn’t initially know as much about, and he says it has made him a better person for that development: but, he adds, you have to have empathy for humans, not just women, and then you have to carry that empathy out into the world via the writing. Well, he’s got that down.
Another thing he has down is humour. As I said in my BoldFace review, I have no experience with the murder mystery genre, so I was surprised to trip across some laughs in a dark storyline. But what appealed to me was the subtlety as opposed to being hit over the head with guffaws. Larry was pleased that this was evident and said he felt it was important to respect the reader’s intelligence. Sometimes these were comments that just sounded like a conversation with your friend, others were funny because I heard myself in them. Apparently a laugh’s okay—perhaps necessary—when you’re talking murder, and while I don’t particularly enjoy reading humorous books per se, it was another thing that made my introduction to this genre easier.
I and others at the conclusion of his keynote talk asked about the writing and indexing process, their connection and how they affected Larry’s stories. There are clearly commonalities: you can’t very well expect to get repeat contracts if you procrastinate on getting (good) writing or indexing done. Both require discipline, which is helped by an organized approach. I could relate to his separating tasks into parts of the day, suitable to his psychic energy and his abilities, and to his being very literal in dividing up the time available by the pages required to achieve personal and work deadlines. A curious mind is facilitated by an orderly approach to life, and the ability to break things down into discrete elements and re-group them by their connections works for both key entries and key clues. He acknowledged the unravelling of the mystery with the process of indexing for Marjorie, too. Upon reflection, I’m sure my experience in private investigation was good training for my inquisitive mind and honed the skills I need for effective and systematic editing and indexing. We may love order and classification, but as indexers we need to be detail-oriented and able to see the big picture simultaneously.
Speaking of parts of the whole, I asked Larry what he envisioned the scope of this series to be—a trilogy? More? He couldn’t say for sure, but there’s at least one more coming: See Also Deadline, available May 2017. That’s good news. But the problem with discovering and glomming on to a new-to-me author is finding the time to go back and read the other stories they’ve produced. Social media and the advantages of the Information Age expose us to new pleasures more quickly and easily. The fallout means less time for other stuff; in my case, that usually leads to letting cooking go. Based on my Wine and Cheese award system (see blog sidebar), Marjorie Trumaine has caused a fair bit of order-in. Although not for too many days, since her stories are hard to put down.
 For those readers who are not familiar with indexing, “See also” is a conventional indicator to cross-references in back-of-the-book indexes; it tells readers that other closely related and additional information is available under another key word. “See” plus a key word indicates that the reader should look up a synonymous term that is actually used in the text, in case they have not chosen the indexed word to start their search with. Larry’s titles are little homages to the indexer’s work.